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Monday, February 27, 2012

Look of the Day: Kate Bosworth's Playful Panache


Fashion darling Kate Bosworth showed off her eclectic style at the Burberry Fall 2012 show on Tuesday, where she was decked out in a nubby peplum skirt with a quirky owl sweater, both by the London-based label.

As one of Burberry's unofficial brand ambassadors, it's easy to see why the duo are a match made in sartorial heaven. Her accessories of choice, as always, were well-chosen. The pairing of suede stiletto boots and her velvet bow belt conveyed Kate's mastery of a mixed ensemble.

The blonde's perfectly tousled curls can't go without mention. Her "I just rolled out of bed looking this fabulous" 'do epitomizes easy style.

article via StyleBistro
picture via FameFlyNet

Best & Worst Dressed at the 2012 Oscars


This is the night when the fashion and entertainment worlds meet in a high speed, head-on collision, as stars reveal themselves as style-savvy risk takers or cautious color-avoiders. Hollywood's finest will live with their sartorial choices forever, for better or for worse.


Modern Family star Sarah Hyland looked oh-so-innocent in her demure dusky lavender Alberta Ferretti gown, which featured a gathered bodice and asymmetrical straps. The young actress matched the romance of the dress with a loose, low bun and bronze eye makeup.


Giuliana Rancic wore Basil Soda for the E! red carpet pre-show, but she later switched into this elaborate Tony Ward Couture gown. The glamorously retro gown, which practically dripped with rhinestones, had a Old Hollywood feel to it thanks to the opulent beading on its sheer yoke. Giuliana kept the hair and makeup simple, but her gigantic rings had us wondering if diamonds can indeed be too big.


When Angelina Jolie does drama, she does it dark. The actress-turned-überserious-director was back in black for Oscars evening, serving up some well-toned leg in luxurious black Atelier Versace slit to there. We can't help but love Jolie's aggressively vampish pose, either.


Last year's Best Actress winner Natalie Portman continued her long-running streak of perfection in vintage Christian Dior Haute Couture. This strapless crimson gown was featured in the 1954 collection, but it couldn't look any fresher than it does on Natalie.


Michelle Williams was heartbreakingly dainty in a classic coral peplum gown by Louis Vuitton. Michelle added a dash of her highly feminine personal style with a jeweled bow detail at the waist and a girly pale pink clutch.


The beaded stripes in Jennifer Lopez's figure-hugging Zuhair Murad gown augmented her famously curvy silhouette. She pumped up the sex appeal with a sleek, tight bun (instant facelift!), luxurious diamond earrings, and patented ultra-serious sexyface.


Gwyneth Paltrow looked like a foxy fashion superhero in her caped Tom Ford gown. Let's call her Captain Cool Minimalist, shall we? Paltrow played off the gown's austerity with a diamond-encrusted cuff and sleek locks.


Cameron Diaz sizzled in a nude Gucci gown with gold beading and cascading ruffles, but her simple diamond necklace failed to add the polish that her breezy, casually-styled blonde bob detracted from the look. Her partner in glam, Gwyneth Paltrow, should have recommended some creative ways to work that short hair.


Emma Stone looked ultra-feminine in her fuchsia Giambattista Valli dress, even if it kicked off some major deja vú for anyone who remembers the crimson Balenciaga gown Nicole Kidman wore to the 2007 Oscars. Unfortunately, Emma is not quite as seasoned at carrying off high drama as is Nicole.


Milla Jovovich was an early red carpet favorite in a one-shoulder Elie Saab Couture gown paired with classic red lips, artfully arranged curls, and the very daintiest box clutch. It's hard to execute "va-va-voom" with such elegance.


Tina Fey avoided frills and fuss in favor of this blissfully simple custom Carolina Herrera gown with a figure-flattering peplum waist. Fey gave the look a more personal touch with bold blue-and-green chandelier earrings and a matching cocktail ring.


George Clooney's lady love Stacy Keibler very much resembled a trophy in her expertly draped gold Marchesa gown. With a deep side part and sun-kissed skin, Stacy couldn't have looked any more polished on her boyfriend's big night.


We understand the elegance Sandra Bullock saw in this black-and-white Marchesa gown, but she would have done better avoiding dresses with beading that clutters up her midsection in a truly unflattering fashion.


Leave it to a UK style star like Louise Roe to get playful with her Oscars look. Roe donned a tiered blush Black Halo gown with masculine squared shoulders. The dress, worn with Jacqueline Nerguizian jewels, looked very Dynasty, like something Joan Crawford's character might have worn to marry her second husband.


The Help's Viola Davis took the emerald trend to the next level in a brilliant green Vera Wang gown with a pleated chiffon train. Davis abandoned her usual wigs in favor of her close-cropped natural hair, allowing the focus to fall on her arresting diamond-and-emerald jewels.


Missi Pyle of The Artist wore a very special gown indeed—and for a good cause. Pyle's hand-dyed organic silk gown was Valentina Delfino's winning submission in the Red Carpet Green Dress competition, which aims to promote eco-friendly elegance. Missi added shine to the off-the-shoulder dress with stately Chopard diamonds.


Judy Greer looked like a modern Greta Garbo in a liquid metal Monique Lhuillier gown. The flame-haired funny lady played up her curves in the dress' slinky silhouette, which she matched with art deco diamonds and a metallic clutch.


Kristen Wiig loves wearing flesh tones on the red carpet and the Oscars were no exception. She added a touch of dramatic contrast to her tiered nude J. Mendel gown with a dark manicure, although her highlighted waves were beachy, California beautiful.


It was hard to miss television personality Nancy O'Dell's canary yellow Chagoury Couture gown, which featured a delicate pleated skirt and intricate gunmetal beading. O'Dell matched the gown's antique feel with drop earrings by XIV Karats.


Funny lady Maya Rudolph opted to wear a custom Johanna Johnson gown in a demure eggplant hue. The gown looked rather somber from the front, with its beaded capped sleeves and a dramatic train, but featured an intricately embellished back that was all glitz.


Musician Esperanza Spalding, otherwise known as the young woman who drew many a nutty, immature death threat after she defeated Justin Bieber for the Best New Artist Grammy Award in 2011, balanced her prom-ready ballgown with full, natural hair and soft makeup.


Damages star Glenn Close looked like she meant business in her forest green Zac Posen gown and its matching tailored blazer. The mermaid silhouette may be getting a little tired, but we applaud Glenn's expert working of the gown's fitted bustier. Nice pose! LOL


Sherri Shepherd gave the cameras an eyeful in a cut-out cobalt gown with silver embroidery. The 30 Rock actress wasn't shy about showing the world her black strapless bra, which was plainly visible beneath the dress' semi-sheer bodice. Maybe the exposed underwear thing is best left to Lady Gaga and the like.


Meryl Streep maintains a shocking consistency when it comes to choosing film roles, but she's not quite as invested in her red carpet game. There is such a thing as too much gold lamé, even when it comes with a Lanvin tag.


Octavia Spencer stayed loyal to her favorite label, Tadashi Shoji, in a beaded white gown with flattering draping. The star of The Help added to her red carpet opulence with a crystal-studded clutch and refined diamond chandelier earrings. Radiant execution!


Leslie Mann was a vision in Roberto Cavalli on the Oscars red carpet, but her heart-stopping midnight blue gown came with its drawbacks: Mann admitted in a pre-show interview that she could barely breathe in the luxe look. Beauty can be a real pain.

articles via StyleBistro
pictures via GettyImages

Best and Worst Dressed at the 2012 Oscars Parties


The opulence of the Academy Awards isn't limited to the official red carpet. Celebrities who missed the major festivities still sported their finest at an array of viewing and after parties. Diamonds for everyone!


Heidi Klum avoided interviews at the Elton John AIDS Foundation Oscars Viewing Party, though she did reveal quite a bit of skin in her blindingly yellow Versace mini. Klum played off the dress' futuristic gold accents with metallic-toed pumps and a cushy gold clutch.


Katy Perry almost always looks like she's in costume, but she downplayed her signature kook at the Elton John Foundation viewing party in a glittering Blumarine gown and Miu Miu shoes. Pery is perhaps the one woman in the world who can pull off electric blue eyeshadow (the Cookie Monster-colored hair helps).


The ever-impeccable Dita Von Teese attended the Elton John Foundation viewing party in a stately-yet-playful pale pink Jenny Packham creation, expertly paired with Bulgari diamonds and Christian Louboutin pumps. Von Teese had a very special date for the evening: Her mom!


It's hard to believe that this is the same Rose McGowan who once hit the 1998 MTV Video Music Awards practically naked on the arm of Marilyn Manson. These days, she's sporting considerably more fabric, this particular look being Paule Ka.


Rarely does Kim Kardashian practice restraint with her wardrobe, but the figure-hugging black gown she wore to the Elton John AIDS Foundation party was surprisingly low-key compared to Kardashian's usual assortment of bandage dresses and cleavage-baring frocks.


Victoria's Secret model Alessandra Ambrosio bonded with reality television personality Kourtney Kardashian over their growing pregnancy bellies. Ambrosio chose a sleek, gathered one-shoulder gown, while blanketed her petite frame in a white sheath with a futuristic metallic yoke.


Someone needs to tell Miley Cyrus that she doesn't need to dress like an '80s hedge fund wife in order to be treated like an adult. Her Roberto Cavalli gown was made even stodgier with stiff, heavily styled curls and heartily applied makeup. I love the look, just maybe not on her...


Angelina Jolie may have had the statement dress of the night in her split-up-to-there Atelier Versace number, but Olivia Wilde had the streamlined sexy look down at the Vanity Fair after party. Her strapless black dress was adorned with glittering dragonflies at the waist.


Claire Danes didn't make it to this year's Oscars, but she did find a frothy Valentino frock for the Vanity Fair after party. The gown's youthful embroidered yoke and frilly skirt proved polarizing (she looks a wee bit "cupcake princess") but we can't get enough of Danes' gown's brilliant coral hue.


Angelina Jolie may have had the statement dress of the night in her split-up-to-there Atelier Versace number, but Olivia Wilde had the streamlined sexy look down at the Vanity Fair after party. Her strapless black dress was adorned with glittering dragonflies at the waist.


Bar Refaeli would look like a bombshell in a burlap bag. Put her in a slinky Roberto Cavalli gown dusted with silver and gold beads and it's just not fair. Light, barely there makeup and long blonde waves gave her look an air of effortlessness.


It takes a certain amount of moxie to wear a dress emblazoned with white-capped mushrooms. We'll give Glee star Dianna Agron that much. But paired with a basic product-heavy ponytail, this Carolina Herrera gown was not the yummiest possible option.


Nina Dobrev, a fixture at the most recent New York Fashion Week, looked dangerously close to flawless in a streamlined J. Mendel dress and oversized floral diamond earrings. The Vampire Diaries star wore her long brown hair in a single textured braid.



Spanish actress Paz Vega is drop-dead gorgeous, but it's hard to overlook the strange protrusion jutting out from her hip in this otherwise streamlined formal gown. It very much resembles a tree fungus. A fancy tree fungus, maybe.

articles via StyleBistro
pictures via GettyImages | FameFlynet

Friday, February 24, 2012

Solange Featured In Rollercoaster Magazine



Solange Knowles is looking “2 snaps” fierce in the latest issue of Rollercoaster Magazine. Inside, she dishes on her new role of being an auntie to her sister Beyonce’s baby girl, Blue Ivy. Even though she’s a mother herself, Solange reveals she will not be giving any parenting advice to Beyonce. She also dishes on loving the privacy she has, versus her sister and reaping the rewards of not being as famous.
On being an auntie to Baby Blue Ivy  
It’s very different to being a mother, but there’s still that sort of magnetic bond and love that you can’t even put words on to describe.
I think babies in general are so lovable – and my sister’s baby, Blue, is so beautiful. She is really a beautiful little baby. It’s really special to have a niece because I have a son, so I get to have a little girl too

On why she’s not giving Beyonce any parenting advice 
I think it’s really important for every mother to find their own way. I think it’s actually the most annoying thing when you’re a new mom and you’re getting so much advice from other mothers! You really just have to feel it out for yourself. But she’s my best friend and we talk at least every other day.

On Beyonce being her role model 
She was and is such a role model, but I think more so it was an insane learning process for me to have a big sister like that – to be able to see the good, the bad and everything in between that comes with fame and success, and to know what I was getting myself into.

On enjoying her privacy 
I really enjoy my privacy and being able to walk my son to school every morning and pick him up every afternoon.I know that I couldn’t do that if I was at the next level – privacy, as you know, it just doesn’t belong to you anymore. I definitely made a conscious effort to stay as low key as I can and still do what I want to do. 
Peep Solange's STYLE, and more from the spread below:








article via NecoleBitchie
pictures via RollerCoasterMAG

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I am an Image Consultant, it's not what I do, but rather who I am. This is a Style Blog.. point. blank. period. Follow me on Twitter.. @STYLEretard
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